{"id":2954,"date":"2024-08-20T11:12:37","date_gmt":"2024-08-20T09:12:37","guid":{"rendered":"https:\/\/www.denise-seyhan.com\/about-me-2\/die-mimusen\/"},"modified":"2026-03-11T16:28:13","modified_gmt":"2026-03-11T15:28:13","slug":"die-mimusen","status":"publish","type":"page","link":"https:\/\/www.denise-seyhan.com\/en\/about-me\/die-mimusen\/","title":{"rendered":"The Mimusen"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_section  avia-builder-el-first   container_wrap fullsize'  ><div  class='avia-slideshow av-21e5b-906141afc36f2810c89eb1b90f7e6cb8 avia-slideshow-slideshowFullWidth av_slideshow_full avia-fade-slider av-slideshow-ui av-control-default av-slideshow-manual av-loop-once av-loop-manual-endless av-default-height-applied  mobilePortrait image_no_stretch avia-slideshow-1' data-slideshow-options=\"{&quot;animation&quot;:&quot;fade&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:false,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 28.7109375%;'><li  class='avia-slideshow-slide av-21e5b-906141afc36f2810c89eb1b90f7e6cb8__0  av-single-slide slide-1 slide-odd'><div data-rel='slideshow-1' class='avia-slide-wrap '   ><div class='av-slideshow-caption av-21e5b-906141afc36f2810c89eb1b90f7e6cb8__0 caption_fullwidth caption_bottom'><div class=\"container caption_container\"><div class=\"slideshow_caption\"><div class=\"slideshow_inner_caption\"><div class=\"slideshow_align_caption\"><h1 class='avia-caption-title '  itemprop=\"name\" >The Mimusen<\/h1><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" fetchpriority=\"high\" class=\"wp-image-3904 avia-img-lazy-loading-not-3904\"  src=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/mimusen_edited_logo-1-2560x735.jpg\" width=\"2560\" height=\"735\" title='Die Mimusen kleiner' alt=''  itemprop=\"thumbnailUrl\"  style='min-height:664; min-width:2313px; ' srcset=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/mimusen_edited_logo-1-1080x1500.jpg 1080w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/mimusen_edited_logo-1-1500x430.jpg 1500w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/mimusen_edited_logo-1-2560x735.jpg 2560w\" sizes=\"(max-width: 540px) 50vw, (max-width: 768px) 100vw, 2560px\" \/><\/div><\/li><\/ul><\/div><\/div>\n<div id='av_section_1'  class='avia-section av-1i4eb-f721fb7302d526192b507d4e55e31296 main_color avia-section-default avia-no-border-styling  avia-builder-el-1  el_after_av_slideshow_full  el_before_av_section  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-2954'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m014yfm4-8fb3b87562ebf3b25c02106ac705255d\">\n#top .av_textblock_section.av-m014yfm4-8fb3b87562ebf3b25c02106ac705255d .avia_textblock{\ncolumn-count:2;\n}\n\n@media only screen and (max-width: 989px){ \n#top .av_textblock_section.av-m014yfm4-8fb3b87562ebf3b25c02106ac705255d .avia_textblock{\ncolumn-count:1;\n}\n.av_textblock_section.av-m014yfm4-8fb3b87562ebf3b25c02106ac705255d .avia_textblock.av_multi_colums > p:first-child{\nmargin-top:0.85em;\n}\n}\n<\/style>\n<section  class='av_textblock_section av-m014yfm4-8fb3b87562ebf3b25c02106ac705255d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_multi_colums'  itemprop=\"text\" ><h2>PROJECTS<\/h2>\n<h3>The pink danger \u2013 a musical play<\/h3>\n<p>Female composers? Do they even exist? Oh yes, indeed!<br \/>\nCreative, tragic, inspiring, dramatic, powerful, sparkling, heart-rending and sometimes sad. Everything that characterises \u201cmale\u201d compositions can also be found in them. Because, to paraphrase C\u00e9cil Chaminade: \u201cThere is no gender in music\u201d.<\/p>\n<p>Due to the centuries-old opinion that women were only there to run the household, bear and raise children, their compositions remained hidden. Until now. With \u201cThe pink danger\u201d, the <em>Mimusen<\/em> tear down the veil and portray the life and work of six fascinating female personalities at the turn of the century in a lusty performance and rousing music.<\/p>\n<p>You can join in the excitement, laughter and tears.<\/p>\n<p>The protagonists are Pauline Viardot-Garcia, Clara Schumann, C\u00e9cile Chaminade, Alma Mahler, Lili Boulanger and Ethel Smyth.<\/p>\n<p>In addition to the musical theatre format, &#8220;the pink danger&#8221; is also available as a classic song recital with moderation.<br \/>\nClick <a href=\"https:\/\/www.denise-seyhan.com\/en\/media\/gallery\/\">here<\/a> for photos from the scene.<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4141 alignleft\" src=\"..\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-213x300.jpg\" alt=\"\" width=\"212\" height=\"299\" srcset=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-213x300.jpg 213w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-1063x1500.jpg 1063w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-768x1084.jpg 768w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-1088x1536.jpg 1088w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-1451x2048.jpg 1451w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-499x705.jpg 499w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-scaled.jpg 1814w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-m0qvaf4i-db550b948b2112a687c97ea3fae27a21  avia-builder-el-3  el_after_av_textblock  el_before_av_textblock '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-small av-m0qvaf4i-db550b948b2112a687c97ea3fae27a21 avia-iconlist-animate'>\n<li><a href='https:\/\/www.youtube.com\/watch?v=rXyhmYC-HPU' title='Trailer &quot;The pink danger&quot;'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-3bqkg-d2b6f584c276ca987ceb8c6a31be889c avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue921' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/a><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.youtube.com\/watch?v=rXyhmYC-HPU&#039; title=&#039;Trailer &quot;The pink danger&quot;&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Trailer &quot;The pink danger&quot;&lt;\/a&gt;\"><div class='av_iconlist_title iconlist_title_small  '  itemprop=\"headline\" ><a href='https:\/\/www.youtube.com\/watch?v=rXyhmYC-HPU' title='Trailer &quot;The pink danger&quot;' target=\"_blank\"  rel=\"noopener noreferrer\">Trailer \"The pink danger\"<\/a><\/div><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2l7h4-8649bf3c1a05ad692a65ae411bbd1cfd\">\n#top .av_textblock_section.av-2l7h4-8649bf3c1a05ad692a65ae411bbd1cfd .avia_textblock{\ncolumn-count:2;\n}\n\n@media only screen and (max-width: 989px){ \n#top .av_textblock_section.av-2l7h4-8649bf3c1a05ad692a65ae411bbd1cfd .avia_textblock{\ncolumn-count:1;\n}\n.av_textblock_section.av-2l7h4-8649bf3c1a05ad692a65ae411bbd1cfd .avia_textblock.av_multi_colums > p:first-child{\nmargin-top:0.85em;\n}\n}\n<\/style>\n<section  class='av_textblock_section av-2l7h4-8649bf3c1a05ad692a65ae411bbd1cfd '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_multi_colums'  itemprop=\"text\" ><h3><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4139 alignleft\" src=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-300x169.png\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-300x169.png 300w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-768x432.png 768w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-1536x864.png 1536w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-1500x844.png 1500w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-705x397.png 705w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film.png 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/h3>\n<h3>Seven early songs&#8221; (Alban Berg) &#8211; The film<\/h3>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\" role=\"text\"><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Vienna at the turn of the century. Birth of new thinking, new images and new sounds. Fairy tales, inexplicable phenomena, dreams and the unconscious are gaining an indispensable place in cultural life. What is fascinating about Berg&#8217;s cycle is the complexity of the melodies and the colorfulness of the harmonies. It&#8217;s like wading through sounds of the unconscious. . The underlying poems play with words and metaphors and are a rich treasure trove of images and impressions that arouse strong associations and whose visual implementation is literally obvious. You can hear the lights rising, the reeds rustling, the wind carrying your breath. Everything is underlined with an almost tangible sensuality and desire that makes the night and dreams rush. Everything is covered in gold dust from the turn of the century in Vienna and you are always just a small step away from the other world.<br \/>\nBased on Gustav Klimt&#8217;s opulent images and inspired by the film works of Peter Greenaway, Jean Luc Godard and Stanley Kubrick&#8217;s <em>Eyes Wide Shut<\/em>, this is the first time a song cycle has ever been filmed in this style. It is a feast for all the senses. Music, singing and acting act and sound at the highest level &#8211; an extraordinary film that is unparalleled in its uniqueness.<\/span><\/span><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-1zfg4-e89c412d56da3ba33fe9a1bde8448581  avia-builder-el-5  el_after_av_textblock  avia-builder-el-last '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-small av-1zfg4-e89c412d56da3ba33fe9a1bde8448581 avia-iconlist-animate'>\n<li><a href='https:\/\/www.youtube.com\/watch?v=5OF1WVtk9_g' title='Trailer &quot;Seven early songs&quot; - The movie'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-1fnso-af0db60365afad97eb1da5fe7b8c3776 avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue921' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/a><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.youtube.com\/watch?v=5OF1WVtk9_g&#039; title=&#039;Trailer &quot;Seven early songs&quot; - The movie&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Trailer &quot;Seven early songs&quot; - The movie&lt;\/a&gt;\"><div class='av_iconlist_title iconlist_title_small  '  itemprop=\"headline\" ><a href='https:\/\/www.youtube.com\/watch?v=5OF1WVtk9_g' title='Trailer &quot;Seven early songs&quot; - The movie' target=\"_blank\"  rel=\"noopener noreferrer\">Trailer \"Seven early songs\" - The movie<\/a><\/div><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.youtube.com\/watch?v=QP9IWdwIKno' title='Seven early songs (Alban Berg) - The movie'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-1fnso-1-ecb0f779864b5e17257c8d10fb7c439f avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue921' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/a><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.youtube.com\/watch?v=QP9IWdwIKno&#039; title=&#039;Seven early songs (Alban Berg) - The movie&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Seven early songs (Alban Berg) - The movie&lt;\/a&gt;\"><div class='av_iconlist_title iconlist_title_small  '  itemprop=\"headline\" ><a href='https:\/\/www.youtube.com\/watch?v=QP9IWdwIKno' title='Seven early songs (Alban Berg) - The movie' target=\"_blank\"  rel=\"noopener noreferrer\">Seven early songs (Alban Berg) - The movie<\/a><\/div><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='testimonials'  class='avia-section av-7ejlk-c8808b04f19e1e29929b5c0873d0e983 alternate_color avia-section-default avia-no-border-styling  avia-builder-el-6  el_after_av_section  el_before_av_section  avia-bg-style-scroll av-minimum-height av-minimum-height-50 av-height-50  container_wrap fullsize'   data-av_minimum_height_pc='50' data-av_min_height_opt='50'><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-2954'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018\">\n#top .avia-testimonial-wrapper.av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018 .avia-testimonial-content{\nfont-size:16px;\n}\n#top .avia-testimonial-wrapper.av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018 .avia-testimonial-name{\nfont-size:16px;\n}\n.avia-testimonial-wrapper.av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018 .avia-testimonial-subtitle{\nfont-size:14px;\n}\n.avia-testimonial-wrapper.av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018 .avia-testimonial-subtitle-sep{\nfont-size:14px;\n}\n.avia-testimonial-wrapper.av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018 .avia-testimonial-link{\nfont-size:14px;\n}\n<\/style>\n<div  class='avia-testimonial-wrapper av-6xmhs-390f211a83e6cedbfe79f01fc6f6f018 avia-slider-testimonials avia-slider-2-testimonials avia_animate_when_almost_visible av-large-testimonial-slider av-slideshow-ui av-control-default av-no-slider-navigation av-slider-hover-pause av-slideshow-autoplay av-loop-endless av-loop-manual-endless' data-slideshow-options=\"{&quot;animation&quot;:&quot;slide&quot;,&quot;autoplay&quot;:true,&quot;loop_autoplay&quot;:&quot;endless&quot;,&quot;interval&quot;:8,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;transitionSpeed&quot;:1000,&quot;keep_padding&quot;:&quot;&quot;,&quot;hoverpause&quot;:true,&quot;show_slide_delay&quot;:0}\">\n<section class=\"avia-testimonial-row\"><div class='avia-testimonial av-m0qrhr71-cad6137bb4b1d921652417b65e043ffb avia-testimonial-row-1 avia-first-testimonial flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><p><span class=\"x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h\" dir=\"auto\">&#8230; In general, the singer with her lush, rich voice &#8230; interpreted the songs with a lot of colors &#8230;<\/span><\/p>\n<p>&#8230; Denise Seyhan and Philip Dahlem turned this song into an almost shattering scene&#8230;<\/p>\n<p>&#8230; Scenes and monologues in which Henrietta Teipel lets the protagonists speak for themselves provide some powerful moments&#8230;<\/p>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >Christine Gehringer<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >about The Pink Danger for PAMINA<\/span><\/div><\/div><\/div><\/div>\n<div class='avia-testimonial av-m0qrjwxu-a6150fcdb2275dab20c21fe61a21cce6 avia-testimonial-row-1 flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>&#8230; For the second time I fell for the &#8220;Pink Danger&#8221;&#8230;<\/p>\n<\/div>\n<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>&#8230; Great! &#8230;<\/p>\n<\/div>\n<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">&#8230; Very nice topic, wonderfully presented! Gladly more often! &#8230;<\/div>\n<\/div>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >Voices from the audience<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >about \"The pink danger\", Guestbook<\/span><\/div><\/div><\/div><\/div>\n<div class='avia-testimonial av-m0qrr5tu-b0a7c7c32919719d22da0abba1b152a2 avia-testimonial-row-1 flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><p>The Mimusen realise the wonderful idea of a &#8220;theatrical song recital&#8221; in an inspiring and often touching way: The masterful performance of musical works is always preceded by the introduction of the creators of this music through acting and spoken word &#8211; sometimes charming, sometimes amusing, sometimes surprising, always highly informative.<\/p>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >T.S.<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >Concert visitors about \"The pink danger\", Guestbook<\/span><\/div><\/div><\/div><\/div>\n<div class='avia-testimonial av-m0qpqhfv-4d887f1ec8b8bdb781aaa0bac558a240 avia-testimonial-row-1 flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><p>Thank you for this entertaining and brilliant evening!<\/p>\n<p>We learned a lot and laughed a lot, and were touched by the sad moments and the fates of the composers. The absolutely convincingly played roles, the coherent text montage and character direction, the very sensitive piano accompaniment and the impressive voice resulted in a harmonious whole. The whole hall was thrilled! The setting, Ziegler Hall in the Akropolis Restaurant, was also perfect! As a colleague, I look forward to such artistic themed evenings with so much expression and passion. Really something different! Bravissimo! More like this!<\/p>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >Malika Reyad<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >Opera singer and producer (Karlsruher Schlossfestspiele) about \"The pink danger\", guestbook<\/span><\/div><\/div><\/div><\/div>\n<div class='avia-testimonial av-m0qpolfe-54ea7fd926f3ad05b9ddf4cdf99bf65d avia-testimonial-row-1 flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><p>The theatrical song recital &#8220;The Pink Danger&#8221; was shown twice on the nostalgic proscenium stage in the Zieglersaal Karlsruhe last weekend, and anyone who wasn&#8217;t there missed something. In Mimi Schwaiberger&#8217;s sensitive production, the ensemble &#8220;Die Mimusen&#8221; offered both informative and moving insights into the biography and work of 6 female composers such as Clara Schumann, Pauline Viardot-Garcia and C\u00e9cile Chaminade. The mezzo-soprano Denise Seyhan was always vocally up to the beautiful and sometimes very demanding songs thanks to her perfect technique. Philip Dahlem on the piano was an excellent, always attentive accompanist who not only mastered the piano parts confidently, but also particularly emphasized the emotions inherent in the songs through his careful playing. The absolute highlight of the evening was Michelle Brubach, who gave the characters contours and life with amazing versatility. Her interpretation of the self-confident Ethel Smyth was great; she moved people to tears with her portrayal of the fragile Lili Boulanger, who, after great success and serious illness, finally died at the age of 24. And as Alma Mahler, who didn&#8217;t mince her words, the actress was able to really give the monkey some sugar, which the audience acknowledged with enthusiastic applause. This evening showed how difficult it was for women composing over the centuries and what social resistance they had to fight against in a way that we would like to see more often: a \u201cnon-mainstream topic\u201d was presented to the audience in an exciting, entertaining and emotional way, and at a high level of craftsmanship. The Ziegler Hall may visually exude a special kind of ambience \u2013 if music and theater are done well, they work everywhere. Chapeau!<\/p>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >Michael Postweiler<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >Theater maker from Karlsruhe about \"The Pink Danger\"<\/span><\/div><\/div><\/div><\/div>\n<div class='avia-testimonial av-m0qpsaqv-8e485d408be149240ce6f4ad7ba804c9 avia-testimonial-row-1 flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><p>The mezzo-soprano Denise Seyhan has dealt with this cycle in a very original way: she made a film of it in 2021. And what she and her artist colleagues &#8211; the pianist Philip Dahlem and the actress Michelle Brubach, together &#8220;Die Mimusen&#8221;, conjured up from this collection of songs, enchanted a small audience due to the pandemic in the Ziegler Hall in the south of the city. Seyhan comes from the stage artistically, her passion is the Fin de si\u00e8cle. And it is this combination that creates an almost tangible existence for Berg&#8217;s music and the texts set to music. Seyhan lets her visual creativity run wild without exaggerating. Vocally completely convincing &#8211; as a &#8220;mezzo&#8221; she has to &#8220;go up&#8221; quite a bit, for example in Carl Hauptmann&#8217;s &#8220;Night&#8221; or in Storm&#8217;s &#8220;Nachtigall&#8221; &#8211; and dramatically very capable, she gives this complex song music a happy collaboration with Dahlem and in terms of acting with Brubach a further dimension, expanding it into a total work of art. The music and its texts demonstrate their oscillation between reality and dream, which is reflected, for example, when the co-creating pianist appears in short flashes; they appear as puzzles of hidden intentions, a phenomenon that has existed since the romantic era of E.T.A. Hoffmann spread a practice that often served to protect himself from censorship. Seyhan brings these meta-levels to life and, following the texts, also changes into male roles, exploring the morbidity, the intoxicatingly sensual, the iridescent nature of these miniatures. Even where the physicality of love is invoked, including its proximity to death, for example in Lenau&#8217;s &#8220;Reed Song&#8221; or Rilke&#8217;s &#8220;Dream Crowned&#8221;, it remains subtle without being concealed. Seyhan adds the power of images to Berg&#8217;s early songs &#8211; and creates a seductive opulence. The film will be offered to television stations and also posted on YouTube.<\/p>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >Claus-Dieter Hanauer<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >about \"Seven Early Songs - The Film\" for BNN<\/span><\/div><\/div><\/div><\/div>\n<div class='avia-testimonial av-m0qpsaqv-1-94d553d52d3b5d97f471bf65ad33fe67 avia-testimonial-row-1 flex_column no_margin av_one_half'><div class='avia-testimonial_inner'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia-testimonial-content '><div class='avia-testimonial-markup-entry-content'  itemprop=\"text\" ><p>Women are simply dangerous! Entertaining and enjoyable! Excellent history teaching&#8230; Great!<\/p>\n<p>An enrichment for the younger generation too.<br \/>\nThank you very much for the wonderful experience and the great evening!<\/p>\n<p>I found the performance very beautiful and exciting&#8230; it was very thrilling to experience the musical history of female composers in this way.<\/p>\n<\/div><\/div><div class=\"avia-testimonial-meta\"><div class=\"avia-testimonial-arrow-wrap\"><div class=\"avia-arrow\"><\/div><\/div><div class='avia-testimonial-meta-mini'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><strong  class='avia-testimonial-name'  itemprop=\"name\" >Voices from the audience<\/strong><span  class='avia-testimonial-subtitle '  itemprop=\"jobTitle\" >about \"The pink danger\", Guestbook<\/span><\/div><\/div><\/div><\/div>\n<\/section><div class='avia-slideshow-arrows avia-slideshow-controls' ><a href='#prev' class='prev-slide  avia-svg-icon avia-font-svg_entypo-fontello' data-av_svg_icon='left-open-big' data-av_iconset='svg_entypo-fontello' tabindex='-1' title=\"Previous\"><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"15\" height=\"32\" viewBox=\"0 0 15 32\" preserveAspectRatio=\"xMidYMid meet\" aria-labelledby='av-svg-title-1' aria-describedby='av-svg-desc-1' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-1'>Previous<\/title>\n<desc id='av-svg-desc-1'>Previous<\/desc>\n<path d=\"M14.464 27.84q0.832 0.832 0 1.536-0.832 0.832-1.536 0l-12.544-12.608q-0.768-0.768 0-1.6l12.544-12.608q0.704-0.832 1.536 0 0.832 0.704 0 1.536l-11.456 11.904z\"><\/path>\n<\/svg><span class='avia_hidden_link_text'>Previous<\/span><\/a><a href='#next' class='next-slide  avia-svg-icon avia-font-svg_entypo-fontello' data-av_svg_icon='right-open-big' data-av_iconset='svg_entypo-fontello' tabindex='-1' title=\"Next\"><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"15\" height=\"32\" viewBox=\"0 0 15 32\" preserveAspectRatio=\"xMidYMid meet\" aria-labelledby='av-svg-title-2' aria-describedby='av-svg-desc-2' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-2'>Next<\/title>\n<desc id='av-svg-desc-2'>Next<\/desc>\n<path d=\"M0.416 27.84l11.456-11.84-11.456-11.904q-0.832-0.832 0-1.536 0.832-0.832 1.536 0l12.544 12.608q0.768 0.832 0 1.6l-12.544 12.608q-0.704 0.832-1.536 0-0.832-0.704 0-1.536z\"><\/path>\n<\/svg><span class='avia_hidden_link_text'>Next<\/span><\/a><\/div><\/div>\n<\/p>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_3'  class='avia-section av-2qdqo-bbed3184662bf146f2ad6fa639d114cb main_color avia-section-default avia-no-border-styling  avia-builder-el-8  el_after_av_section  el_before_av_one_full  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-2954'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-29n1g-f75fde1266afacade18f509834e1aad1\">\n#top .av_textblock_section.av-29n1g-f75fde1266afacade18f509834e1aad1 .avia_textblock{\ncolumn-count:2;\n}\n\n@media only screen and (max-width: 989px){ \n#top .av_textblock_section.av-29n1g-f75fde1266afacade18f509834e1aad1 .avia_textblock{\ncolumn-count:1;\n}\n.av_textblock_section.av-29n1g-f75fde1266afacade18f509834e1aad1 .avia_textblock.av_multi_colums > p:first-child{\nmargin-top:0.85em;\n}\n}\n<\/style>\n<section  class='av_textblock_section av-29n1g-f75fde1266afacade18f509834e1aad1 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_multi_colums'  itemprop=\"text\" ><h3>The Mimuses &#8211; creation of the ensemble<\/h3>\n<p>The ensemble <em>Die Mimusen<\/em> was founded in summer 2021. Since performances were unthinkable this year due to the corona pandemic, Denise Seyhan decided to film the song cycle \u201cSeven Early Songs\u201d by Alban Berg. She found the ideal artistic partners in the pianist <a href=\"https:\/\/philip-dahlem.de\/\" target=\"_blank\" rel=\"noopener\">Philip Dahlem<\/a> and the actress <a href=\"https:\/\/www.michellebrubach.de\/\" target=\"_blank\" rel=\"noopener\">Michelle Brubach.<\/a> The preview took place in front of an enthusiastic audience on January 15, 2022 in the Zieglersaal of the Akropolis restaurant in Karlsruhe. The review of the preview can be read in the following reviews.<br \/>\n<a href=\"https:\/\/orchesterstiftung.de\/fileadmin\/media\/pdf\/DOS_Magazin_4_Web.pdf\" target=\"_blank\" rel=\"noopener\">Here <\/a>you can find a short interview about the project in the magazine of the German Orchestra Foundation (issue 21\/4), which funded the film.<\/p>\n<p>With the play Die rosa Gefahr (The Pink Peril) about the lives of six female composers, Die Mimusen make their debut on the musical theatre stage. Their aim is to create new forms of musical performance. The \u2018theatrical song recital\u2019 was initially created by combining a classical song recital with theatrical scenes, thus adding another entertaining and informative dimension. The project received a grant from GVL\/Neustart Kultur and the Baden-W\u00fcrttemberg Ministry of Science, Research and Art. Following an enthusiastic premiere on 19 February 2022, the play has already enjoyed several guest performances in southern Germany in this form.<br \/>\nIn September 2022, Michelle Brubach left \u201cThe Mimuses\u201d and since then <a href=\"https:\/\/www.henriettateipel.com\/\" target=\"_blank\" rel=\"noopener\">Henrietta Teipel<\/a> has taken over the acting part.<\/p>\n<p>Not least due to this new casting, Mimusen revised Die rosa Gefahr in 2024, turning it into a \u2018musical theatre piece\u2019. Sponsored by the Cultural Office of the City of Karlsruhe and the Sanfilippo Design Office, it was performed for the first time in this new form on 9 June 2024 and, as in the following guest performances, was enthusiastically received by the audience.<\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-5f24-7a11b76e33146f1871f4d8189a3590bf  avia-builder-el-10  el_after_av_textblock  avia-builder-el-last '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-small av-5f24-7a11b76e33146f1871f4d8189a3590bf avia-iconlist-animate'>\n<li><a href='https:\/\/www.facebook.com\/diemimusen' title='Die Mimusen on Facebook'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-npxk-f6e3c53d8e00abda9566f132b4574616 avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue8f4' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/a><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.facebook.com\/diemimusen&#039; title=&#039;Die Mimusen on Facebook&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Die Mimusen on Facebook&lt;\/a&gt;\"><div class='av_iconlist_title iconlist_title_small  '  itemprop=\"headline\" ><a href='https:\/\/www.facebook.com\/diemimusen' title='Die Mimusen on Facebook' target=\"_blank\"  rel=\"noopener noreferrer\">Die Mimusen on Facebook<\/a><\/div><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_3'  class='main_color av_default_container_wrap container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-2954'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-ysgs-834f540f37748f127ed3af58dc7dbac1 av_one_full  avia-builder-el-11  el_after_av_section  avia-builder-el-no-sibling  first flex_column_div  '     ><\/div>\n","protected":false},"excerpt":{"rendered":"[av_slideshow_full img_copyright='' size='slideshowFullWidth' min_height='664' stretch='image_no_stretch' control_layout='av-control-default' slider_navigation='av-navigate-arrows av-navigate-dots' nav_visibility_desktop='' nav_arrow_color='' nav_arrow_bg_color='' nav_dots_color='' nav_dot_active_color='' src='' attachment='' attachment_size='' position='top left' repeat='no-repeat' attach='scroll' img_copyright_font='' av-desktop-font-img_copyright_font='' av-medium-font-img_copyright_font='' av-small-font-img_copyright_font='' av-mini-font-img_copyright_font='' img_copyright_color='' img_copyright_bg='' animation='fade' transition_speed='' autoplay='false' interval='5' img_scale='' img_scale_end='10' img_scale_direction='' img_scale_duration='3' img_scale_opacity='1' conditional_play='' img_scrset='' lazy_loading='disabled' alb_description='' id='' custom_class='' template_class='' av_uid='av-21e5b' sc_version='1.0']<br \/>\n[av_slide_full slide_type='image' id='3903' video='https:\/\/' mobile_image='' fallback_link='https:\/\/' title='The Mimusen' video_format='' video_ratio='16:9' caption_pos='caption_bottom' custom_title_size='' av-desktop-font-size-title='' av-medium-font-size-title='' av-small-font-size-title='' av-mini-font-size-title='' custom_content_size='' av-desktop-font-size='' av-medium-font-size='' av-small-font-size='' av-mini-font-size='' font_color='' custom_title='' custom_content='' heading_tag='h1' heading_class='' link_apply='' link='lightbox' link_dynamic='' link_target='' button_label='Click me' button_color='light' link1='manually,https:\/\/' link_target1='' button_label2='Click me' button_color2='light' link2='manually,https:\/\/' link_target2='' overlay_opacity='0.5' overlay_color='' overlay_pattern='' overlay_custom_pattern='' av_uid='av-150m8' sc_version='1.0'][\/av_slide_full]<br \/>\n[\/av_slideshow_full]\n[av_section min_height='' min_height_pc='25' min_height_px='500px' shadow='no-border-styling' bottom_border='no-border-styling' bottom_border_diagonal_color='#333333' bottom_border_diagonal_direction='' bottom_border_style='' padding='default' margin='' custom_margin='0px' av-desktop-custom_margin='' av-medium-custom_margin='' av-small-custom_margin='' av-mini-custom_margin='' svg_div_top='' svg_div_top_color='#333333' svg_div_top_width='100' svg_div_top_height='50' svg_div_top_max_height='none' svg_div_top_flip='' svg_div_top_invert='' svg_div_top_front='' svg_div_top_opacity='' svg_div_top_preview='' svg_div_bottom='' svg_div_bottom_color='#333333' svg_div_bottom_width='100' svg_div_bottom_height='50' svg_div_bottom_max_height='none' svg_div_bottom_flip='' svg_div_bottom_invert='' svg_div_bottom_front='' svg_div_bottom_opacity='' svg_div_bottom_preview='' fold_type='' fold_height='' fold_more='Weiterlesen' fold_less='Read less' fold_text_style='' fold_btn_align='' color='main_color' background='bg_color' custom_bg='' background_gradient_direction='vertical' background_gradient_color1='#000000' background_gradient_color2='#ffffff' background_gradient_color3='' src='' attach='scroll' position='top left' repeat='no-repeat' video='' video_ratio='16:9' video_mobile_disabled='' overlay_enable='' overlay_opacity='0.5' overlay_color='' overlay_pattern='' overlay_custom_pattern='' scroll_down='' custom_arrow_bg='' fold_overlay_color='' fold_text_color='' fold_btn_color='theme-color' fold_btn_bg_color='' fold_btn_font_color='' size-btn-text='' av-desktop-font-size-btn-text='' av-medium-font-size-btn-text='' av-small-font-size-btn-text='' av-mini-font-size-btn-text='' fold_timer='' z_index_fold='' css_position_z_index='' av-desktop-css_position_z_index='' av-medium-css_position_z_index='' av-small-css_position_z_index='' av-mini-css_position_z_index='' av-desktop-hide='' av-medium-hide='' av-small-hide='' av-mini-hide='' id='' custom_class='' template_class='' aria_label='' av_element_hidden_in_editor='0' av_uid='av-1i4eb' sc_version='1.0']\n[av_textblock fold_type='' fold_height='' fold_more='Weiterlesen' fold_less='Read less' fold_text_style='' fold_btn_align='' textblock_styling_align='' textblock_styling='2' textblock_styling_gap='' textblock_styling_mobile='989' size='' av-desktop-font-size='' av-medium-font-size='' av-small-font-size='' av-mini-font-size='' font_color='' color='' background='bg_color' background_color='' background_gradient_direction='vertical' background_gradient_color1='#000000' background_gradient_color2='#ffffff' background_gradient_color3='' padding='' padding_sync='true' av-desktop-padding='' av-desktop-padding_sync='true' av-medium-padding='' av-medium-padding_sync='true' av-small-padding='' av-small-padding_sync='true' av-mini-padding='' av-mini-padding_sync='true' fold_overlay_color='' fold_text_color='' fold_btn_color='theme-color' fold_btn_bg_color='' fold_btn_font_color='' size-btn-text='' av-desktop-font-size-btn-text='' av-medium-font-size-btn-text='' av-small-font-size-btn-text='' av-mini-font-size-btn-text='' container_tag='' fold_timer='' z_index_fold='' id='' custom_class='' template_class='' av_uid='av-m014yfm4' sc_version='1.0' admin_preview_bg='']<\/p>\n<h2>PROJECTS<\/h2>\n<h3>The pink danger \u2013 a musical play<\/h3>\n<p>Female composers? Do they even exist? Oh yes, indeed!<br \/>\nCreative, tragic, inspiring, dramatic, powerful, sparkling, heart-rending and sometimes sad. Everything that characterises \u201cmale\u201d compositions can also be found in them. Because, to paraphrase C\u00e9cil Chaminade: \u201cThere is no gender in music\u201d.<\/p>\n<p>Due to the centuries-old opinion that women were only there to run the household, bear and raise children, their compositions remained hidden. Until now. With \u201cThe pink danger\u201d, the <em>Mimusen<\/em> tear down the veil and portray the life and work of six fascinating female personalities at the turn of the century in a lusty performance and rousing music.<\/p>\n<p>You can join in the excitement, laughter and tears.<\/p>\n<p>The protagonists are Pauline Viardot-Garcia, Clara Schumann, C\u00e9cile Chaminade, Alma Mahler, Lili Boulanger and Ethel Smyth.<\/p>\n<p>In addition to the musical theatre format, &#8220;the pink danger&#8221; is also available as a classic song recital with moderation.<br \/>\nClick <a href=\"https:\/\/www.denise-seyhan.com\/en\/media\/gallery\/\">here<\/a> for photos from the scene.<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4141 alignleft\" src=\"..\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-213x300.jpg\" alt=\"\" width=\"212\" height=\"299\" srcset=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-213x300.jpg 213w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-1063x1500.jpg 1063w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-768x1084.jpg 768w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-1088x1536.jpg 1088w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-1451x2048.jpg 1451w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-499x705.jpg 499w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Mimusen-RosaGefahr-A1-2024-9-RZ-ALLGEMEIN-scaled.jpg 1814w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><br \/>\n[\/av_textblock]\n[av_iconlist position='left' iconlist_styling='av-iconlist-small' custom_title_size='' av-desktop-font-size-title='' av-medium-font-size-title='' av-small-font-size-title='' av-mini-font-size-title='' custom_content_size='' av-desktop-font-size='' av-medium-font-size='' av-small-font-size='' av-mini-font-size='' font_color='' custom_title='' custom_content='' color='' custom_font='' custom_bg='' custom_border='' gradient_color_direction='vertical' gradient_color_1='#000000' gradient_color_2='#ffffff' gradient_color_3='' border='' border_width='' border_width_sync='true' border_color='' box_shadow='' box_shadow_style='0px,0px,0px,0px' box_shadow_color='' animation='' sonar_effect_effect='' sonar_effect_color='' sonar_effect_duration='1' sonar_effect_scale='' sonar_effect_opac='0.5' alb_description='' id='' custom_class='' template_class='' av_uid='av-m0qvaf4i' sc_version='1.0' admin_preview_bg='']<br \/>\n[av_iconlist_item title='Trailer \"The pink danger\"' icon='ue921' font='entypo-fontello' heading_tag='' heading_class='' link='manually,https:\/\/www.youtube.com\/watch?v=rXyhmYC-HPU' link_dynamic='' linktarget='_blank' title_attr='' linkelement='both' av_uid='av-3bqkg' sc_version='1.0'][\/av_iconlist_item]<br \/>\n[\/av_iconlist]\n[av_textblock fold_type='' fold_height='' fold_more='Weiterlesen' fold_less='Read less' fold_text_style='' fold_btn_align='' textblock_styling_align='' textblock_styling='2' textblock_styling_gap='' textblock_styling_mobile='989' size='' av-desktop-font-size='' av-medium-font-size='' av-small-font-size='' av-mini-font-size='' font_color='' color='' fold_overlay_color='' fold_text_color='' fold_btn_color='theme-color' fold_btn_bg_color='' fold_btn_font_color='' size-btn-text='' av-desktop-font-size-btn-text='' av-medium-font-size-btn-text='' av-small-font-size-btn-text='' av-mini-font-size-btn-text='' fold_timer='' z_index_fold='' id='' custom_class='' template_class='' av_uid='av-2l7h4' sc_version='1.0' admin_preview_bg='']<\/p>\n<h3><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4139 alignleft\" src=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-300x169.png\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-300x169.png 300w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-768x432.png 768w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-1536x864.png 1536w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-1500x844.png 1500w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film-705x397.png 705w, https:\/\/www.denise-seyhan.com\/wp-content\/uploads\/Sieben-fruehe-Lieder-Plakat-Der-Film.png 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/h3>\n<h3>Seven early songs&#8221; (Alban Berg) &#8211; The film<\/h3>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\" role=\"text\"><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Vienna at the turn of the century. Birth of new thinking, new images and new sounds. Fairy tales, inexplicable phenomena, dreams and the unconscious are gaining an indispensable place in cultural life. What is fascinating about Berg&#8217;s cycle is the complexity of the melodies and the colorfulness of the harmonies. It&#8217;s like wading through sounds of the unconscious. . The underlying poems play with words and metaphors and are a rich treasure trove of images and impressions that arouse strong associations and whose visual implementation is literally obvious. You can hear the lights rising, the reeds rustling, the wind carrying your breath. Everything is underlined with an almost tangible sensuality and desire that makes the night and dreams rush. Everything is covered in gold dust from the turn of the century in Vienna and you are always just a small step away from the other world.<br \/>\nBased on Gustav Klimt&#8217;s opulent images and inspired by the film works of Peter Greenaway, Jean Luc Godard and Stanley Kubrick&#8217;s <em>Eyes Wide Shut<\/em>, this is the first time a song cycle has ever been filmed in this style. It is a feast for all the senses. Music, singing and acting act and sound at the highest level &#8211; an extraordinary film that is unparalleled in its uniqueness.<\/span><\/span><br \/>\n[\/av_textblock]\n[av_iconlist position='left' iconlist_styling='av-iconlist-small' custom_title_size='' av-desktop-font-size-title='' av-medium-font-size-title='' av-small-font-size-title='' av-mini-font-size-title='' custom_content_size='' av-desktop-font-size='' av-medium-font-size='' av-small-font-size='' av-mini-font-size='' font_color='' custom_title='' custom_content='' color='' custom_font='' custom_bg='' custom_border='' gradient_color_direction='vertical' gradient_color_1='#000000' gradient_color_2='#ffffff' gradient_color_3='' border='' border_width='' border_width_sync='true' border_color='' box_shadow='' box_shadow_style='0px,0px,0px,0px' box_shadow_color='' animation='' sonar_effect_effect='' sonar_effect_color='' sonar_effect_duration='1' sonar_effect_scale='' sonar_effect_opac='0.5' alb_description='' id='' custom_class='' template_class='' av_uid='av-1zfg4' sc_version='1.0' admin_preview_bg='']<br \/>\n[av_iconlist_item title='Trailer \"Seven early songs\" - The movie' icon='ue921' font='entypo-fontello' heading_tag='' heading_class='' link='manually,https:\/\/www.youtube.com\/watch?v=5OF1WVtk9_g' link_dynamic='' linktarget='_blank' title_attr='' linkelement='both' av_uid='av-1fnso' sc_version='1.0'][\/av_iconlist_item]<br \/>\n[av_iconlist_item title='Seven early songs (Alban Berg) - The movie' icon='ue921' font='entypo-fontello' heading_tag='' heading_class='' link='manually,https:\/\/www.youtube.com\/watch?v=QP9IWdwIKno' link_dynamic='' linktarget='_blank' title_attr='' linkelement='both' av_uid='av-1fnso-1' sc_version='1.0'][\/av_iconlist_item]<br \/>\n[\/av_iconlist]\n<p>[\/av_section][av_section min_height='50' min_height_pc='25' min_height_px='500px' shadow='no-border-styling' bottom_border='no-border-styling' bottom_border_diagonal_color='#333333' bottom_border_diagonal_direction='' bottom_border_style='' padding='default' custom_margin='0px' custom_margin_sync='true' av-desktop-custom_margin='' av-desktop-custom_margin_sync='true' av-medium-custom_margin='' av-medium-custom_margin_sync='true' av-small-custom_margin='' av-small-custom_margin_sync='true' av-mini-custom_margin='' av-mini-custom_margin_sync='true' svg_div_top='' svg_div_top_color='#333333' svg_div_top_width='100' svg_div_top_height='50' svg_div_top_max_height='none' svg_div_top_opacity='' svg_div_bottom='' svg_div_bottom_color='#333333' svg_div_bottom_width='100' svg_div_bottom_height='50' svg_div_bottom_max_height='none' svg_div_bottom_opacity='' fold_type='' fold_height='' fold_more='Weiterlesen' fold_less='Read less' fold_text_style='' fold_btn_align='' color='alternate_color' background='bg_color' custom_bg='' background_gradient_direction='vertical' background_gradient_color1='#000000' background_gradient_color2='#ffffff' background_gradient_color3='' src='' attachment='' attachment_size='' src_dynamic='' attach='scroll' position='top left' repeat='no-repeat' video='' video_ratio='16:9' overlay_opacity='0.5' overlay_color='' overlay_pattern='' overlay_custom_pattern='' custom_arrow_bg='' fold_overlay_color='' fold_text_color='' fold_btn_color='theme-color' fold_btn_bg_color='' fold_btn_font_color='' size-btn-text='' av-desktop-font-size-btn-text='' av-medium-font-size-btn-text='' av-small-font-size-btn-text='' av-mini-font-size-btn-text='' fold_timer='' z_index_fold='' css_position_z_index='' av-desktop-css_position_z_index='' av-medium-css_position_z_index='' av-small-css_position_z_index='' av-mini-css_position_z_index='' id='testimonials' custom_class='' template_class='' aria_label='' av_element_hidden_in_editor='0' av_uid='av-7ejlk' sc_version='1.0']<br \/>\n[av_testimonials style='slider_large' columns='2' grid_style='av-minimal-grid-style' control_layout='av-control-default' slider_navigation='av-navigate-arrows' nav_visibility_desktop='' nav_arrow_color='' nav_arrow_bg_color='' size-name='16' av-desktop-font-size-name='' av-medium-font-size-name='' av-small-font-size-name='' av-mini-font-size-name='' size-subtitle='14' av-desktop-font-size-subtitle='' av-medium-font-size-subtitle='' av-small-font-size-subtitle='' av-mini-font-size-subtitle='' size-content='16' av-desktop-font-size-content='' av-medium-font-size-content='' av-small-font-size-content='' av-mini-font-size-content='' font_color='' custom_title='' custom_sub='' custom_content='' animation='slide' transition_speed='1000' autoplay='true' interval='8' alb_description='' id='' custom_class='' template_class='' av_uid='av-6xmhs' sc_version='1.0' admin_preview_bg='']<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='Christine Gehringer' subtitle='about The Pink Danger for PAMINA' link='https:\/\/' linktext='' av_uid='av-m0qrhr71' sc_version='1.0']<br \/>\n<span class=\"x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h\" dir=\"auto\">&#8230; In general, the singer with her lush, rich voice &#8230; interpreted the songs with a lot of colors &#8230;<\/span><\/p>\n<p>&#8230; Denise Seyhan and Philip Dahlem turned this song into an almost shattering scene&#8230;<\/p>\n<p>&#8230; Scenes and monologues in which Henrietta Teipel lets the protagonists speak for themselves provide some powerful moments&#8230;<br \/>\n[\/av_testimonial_single]<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='Voices from the audience' subtitle='about \"The pink danger\", Guestbook' link='https:\/\/' linktext='' av_uid='av-m0qrjwxu' sc_version='1.0']<\/p>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>&#8230; For the second time I fell for the &#8220;Pink Danger&#8221;&#8230;<\/p>\n<\/div>\n<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>&#8230; Great! &#8230;<\/p>\n<\/div>\n<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">&#8230; Very nice topic, wonderfully presented! Gladly more often! &#8230;<\/div>\n<\/div>\n<p>[\/av_testimonial_single]<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='T.S.' subtitle='Concert visitors about \"The pink danger\", Guestbook' link='https:\/\/' linktext='' av_uid='av-m0qrr5tu' sc_version='1.0']<br \/>\nThe Mimusen realise the wonderful idea of a &#8220;theatrical song recital&#8221; in an inspiring and often touching way: The masterful performance of musical works is always preceded by the introduction of the creators of this music through acting and spoken word &#8211; sometimes charming, sometimes amusing, sometimes surprising, always highly informative.<br \/>\n[\/av_testimonial_single]<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='Malika Reyad' subtitle='Opera singer and producer (Karlsruher Schlossfestspiele) about \"The pink danger\", guestbook' link='https:\/\/' linktext='' av_uid='av-m0qpqhfv' sc_version='1.0']<br \/>\nThank you for this entertaining and brilliant evening!<\/p>\n<p>We learned a lot and laughed a lot, and were touched by the sad moments and the fates of the composers. The absolutely convincingly played roles, the coherent text montage and character direction, the very sensitive piano accompaniment and the impressive voice resulted in a harmonious whole. The whole hall was thrilled! The setting, Ziegler Hall in the Akropolis Restaurant, was also perfect! As a colleague, I look forward to such artistic themed evenings with so much expression and passion. Really something different! Bravissimo! More like this!<br \/>\n[\/av_testimonial_single]<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='Michael Postweiler' subtitle='Theater maker from Karlsruhe about \"The Pink Danger\"' link='https:\/\/' linktext='' av_uid='av-m0qpolfe' sc_version='1.0']<br \/>\nThe theatrical song recital &#8220;The Pink Danger&#8221; was shown twice on the nostalgic proscenium stage in the Zieglersaal Karlsruhe last weekend, and anyone who wasn&#8217;t there missed something. In Mimi Schwaiberger&#8217;s sensitive production, the ensemble &#8220;Die Mimusen&#8221; offered both informative and moving insights into the biography and work of 6 female composers such as Clara Schumann, Pauline Viardot-Garcia and C\u00e9cile Chaminade. The mezzo-soprano Denise Seyhan was always vocally up to the beautiful and sometimes very demanding songs thanks to her perfect technique. Philip Dahlem on the piano was an excellent, always attentive accompanist who not only mastered the piano parts confidently, but also particularly emphasized the emotions inherent in the songs through his careful playing. The absolute highlight of the evening was Michelle Brubach, who gave the characters contours and life with amazing versatility. Her interpretation of the self-confident Ethel Smyth was great; she moved people to tears with her portrayal of the fragile Lili Boulanger, who, after great success and serious illness, finally died at the age of 24. And as Alma Mahler, who didn&#8217;t mince her words, the actress was able to really give the monkey some sugar, which the audience acknowledged with enthusiastic applause. This evening showed how difficult it was for women composing over the centuries and what social resistance they had to fight against in a way that we would like to see more often: a \u201cnon-mainstream topic\u201d was presented to the audience in an exciting, entertaining and emotional way, and at a high level of craftsmanship. The Ziegler Hall may visually exude a special kind of ambience \u2013 if music and theater are done well, they work everywhere. Chapeau!<br \/>\n[\/av_testimonial_single]<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='Claus-Dieter Hanauer' subtitle='about \"Seven Early Songs - The Film\" for BNN' link='https:\/\/' linktext='' av_uid='av-m0qpsaqv' sc_version='1.0']<br \/>\nThe mezzo-soprano Denise Seyhan has dealt with this cycle in a very original way: she made a film of it in 2021. And what she and her artist colleagues &#8211; the pianist Philip Dahlem and the actress Michelle Brubach, together &#8220;Die Mimusen&#8221;, conjured up from this collection of songs, enchanted a small audience due to the pandemic in the Ziegler Hall in the south of the city. Seyhan comes from the stage artistically, her passion is the Fin de si\u00e8cle. And it is this combination that creates an almost tangible existence for Berg&#8217;s music and the texts set to music. Seyhan lets her visual creativity run wild without exaggerating. Vocally completely convincing &#8211; as a &#8220;mezzo&#8221; she has to &#8220;go up&#8221; quite a bit, for example in Carl Hauptmann&#8217;s &#8220;Night&#8221; or in Storm&#8217;s &#8220;Nachtigall&#8221; &#8211; and dramatically very capable, she gives this complex song music a happy collaboration with Dahlem and in terms of acting with Brubach a further dimension, expanding it into a total work of art. The music and its texts demonstrate their oscillation between reality and dream, which is reflected, for example, when the co-creating pianist appears in short flashes; they appear as puzzles of hidden intentions, a phenomenon that has existed since the romantic era of E.T.A. Hoffmann spread a practice that often served to protect himself from censorship. Seyhan brings these meta-levels to life and, following the texts, also changes into male roles, exploring the morbidity, the intoxicatingly sensual, the iridescent nature of these miniatures. Even where the physicality of love is invoked, including its proximity to death, for example in Lenau&#8217;s &#8220;Reed Song&#8221; or Rilke&#8217;s &#8220;Dream Crowned&#8221;, it remains subtle without being concealed. Seyhan adds the power of images to Berg&#8217;s early songs &#8211; and creates a seductive opulence. The film will be offered to television stations and also posted on YouTube.<br \/>\n[\/av_testimonial_single]<br \/>\n[av_testimonial_single src='0' src_dynamic='' name='Voices from the audience' subtitle='about \"The pink danger\", Guestbook' link='https:\/\/' linktext='' av_uid='av-m0qpsaqv-1' sc_version='1.0']<br \/>\nWomen are simply dangerous! Entertaining and enjoyable! Excellent history teaching&#8230; Great!<\/p>\n<p>An enrichment for the younger generation too.<br \/>\nThank you very much for the wonderful experience and the great evening!<\/p>\n<p>I found the performance very beautiful and exciting&#8230; it was very thrilling to experience the musical history of female composers in this way.<br \/>\n[\/av_testimonial_single]<br \/>\n[\/av_testimonials]<br \/>\n[\/av_section]<\/p>\n[av_section min_height='' min_height_pc='25' min_height_px='500px' shadow='no-border-styling' bottom_border='no-border-styling' bottom_border_diagonal_color='#333333' bottom_border_diagonal_direction='' bottom_border_style='' padding='default' margin='' custom_margin='0px' av-desktop-custom_margin='' av-medium-custom_margin='' av-small-custom_margin='' av-mini-custom_margin='' svg_div_top='' svg_div_top_color='#333333' svg_div_top_width='100' svg_div_top_height='50' svg_div_top_max_height='none' svg_div_top_flip='' svg_div_top_invert='' svg_div_top_front='' svg_div_top_opacity='' svg_div_top_preview='' svg_div_bottom='' svg_div_bottom_color='#333333' svg_div_bottom_width='100' svg_div_bottom_height='50' svg_div_bottom_max_height='none' svg_div_bottom_flip='' svg_div_bottom_invert='' svg_div_bottom_front='' svg_div_bottom_opacity='' svg_div_bottom_preview='' fold_type='' fold_height='' fold_more='Weiterlesen' fold_less='Read less' fold_text_style='' fold_btn_align='' color='main_color' background='bg_color' custom_bg='' background_gradient_direction='vertical' background_gradient_color1='#000000' background_gradient_color2='#ffffff' background_gradient_color3='' src='' attach='scroll' position='top left' repeat='no-repeat' video='' video_ratio='16:9' video_mobile_disabled='' overlay_enable='' overlay_opacity='0.5' overlay_color='' overlay_pattern='' overlay_custom_pattern='' scroll_down='' custom_arrow_bg='' fold_overlay_color='' fold_text_color='' fold_btn_color='theme-color' fold_btn_bg_color='' fold_btn_font_color='' size-btn-text='' av-desktop-font-size-btn-text='' av-medium-font-size-btn-text='' av-small-font-size-btn-text='' av-mini-font-size-btn-text='' fold_timer='' z_index_fold='' css_position_z_index='' av-desktop-css_position_z_index='' av-medium-css_position_z_index='' av-small-css_position_z_index='' av-mini-css_position_z_index='' av-desktop-hide='' av-medium-hide='' av-small-hide='' av-mini-hide='' id='' custom_class='' template_class='' aria_label='' av_element_hidden_in_editor='0' av_uid='av-2qdqo' sc_version='1.0']<br \/>\n[av_textblock fold_type='' fold_height='' fold_more='Weiterlesen' fold_less='Read less' fold_text_style='' fold_btn_align='' textblock_styling_align='' textblock_styling='2' textblock_styling_gap='' textblock_styling_mobile='989' size='' av-desktop-font-size='' av-medium-font-size='' av-small-font-size='' av-mini-font-size='' font_color='' color='' fold_overlay_color='' fold_text_color='' fold_btn_color='theme-color' fold_btn_bg_color='' fold_btn_font_color='' size-btn-text='' av-desktop-font-size-btn-text='' av-medium-font-size-btn-text='' av-small-font-size-btn-text='' av-mini-font-size-btn-text='' fold_timer='' z_index_fold='' id='' custom_class='' template_class='' av_uid='av-29n1g' sc_version='1.0' admin_preview_bg='']<\/p>\n<h3>The Mimuses &#8211; creation of the ensemble<\/h3>\n<p>The ensemble <em>Die Mimusen<\/em> was founded in summer 2021. Since performances were unthinkable this year due to the corona pandemic, Denise Seyhan decided to film the song cycle \u201cSeven Early Songs\u201d by Alban Berg. She found the ideal artistic partners in the pianist <a href=\"https:\/\/philip-dahlem.de\/\" target=\"_blank\" rel=\"noopener\">Philip Dahlem<\/a> and the actress <a href=\"https:\/\/www.michellebrubach.de\/\" target=\"_blank\" rel=\"noopener\">Michelle Brubach.<\/a> The preview took place in front of an enthusiastic audience on January 15, 2022 in the Zieglersaal of the Akropolis restaurant in Karlsruhe. The review of the preview can be read in the following reviews.<br \/>\n<a href=\"https:\/\/orchesterstiftung.de\/fileadmin\/media\/pdf\/DOS_Magazin_4_Web.pdf\" target=\"_blank\" rel=\"noopener\">Here <\/a>you can find a short interview about the project in the magazine of the German Orchestra Foundation (issue 21\/4), which funded the film.<\/p>\n<p>With the play Die rosa Gefahr (The Pink Peril) about the lives of six female composers, Die Mimusen make their debut on the musical theatre stage. Their aim is to create new forms of musical performance. The \u2018theatrical song recital\u2019 was initially created by combining a classical song recital with theatrical scenes, thus adding another entertaining and informative dimension. The project received a grant from GVL\/Neustart Kultur and the Baden-W\u00fcrttemberg Ministry of Science, Research and Art. Following an enthusiastic premiere on 19 February 2022, the play has already enjoyed several guest performances in southern Germany in this form.<br \/>\nIn September 2022, Michelle Brubach left \u201cThe Mimuses\u201d and since then <a href=\"https:\/\/www.henriettateipel.com\/\" target=\"_blank\" rel=\"noopener\">Henrietta Teipel<\/a> has taken over the acting part.<\/p>\n<p>Not least due to this new casting, Mimusen revised Die rosa Gefahr in 2024, turning it into a \u2018musical theatre piece\u2019. 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