‘Singing, interpreting and taking the audience away from their everyday lives is the greatest happiness for me. It gives me the feeling of coming home.’
Denise Seyhan’s well-managed dramatic voice captivates with its richness of colour and unmistakable timbre. Thanks to her great openness and enormous enthusiasm, she can also empathise well with unusual directorial concepts. ‘She is an outstanding singer and a wonderful stage actress’ (Elias Grandy).
The German-Turkish mezzo-soprano completed her training after studying singing at the Karlsruhe University of Music, initially with Gabriele Kniesel. After two changes of Fach, her voice quickly developed into the dramatic repertoire thanks to her many years of collaboration with Walter Donati and Anna Rita Esposito, through whom she learnt the Italian singing technique (old school).
After her first engagements as Dorabella and Hänsel, she soon sang her first dramatic role under the musical direction of Johannes Witt: the Knusperhexe in ‘Hänsel und Gretel’. The MiR Gelsenkirchen engaged her for the leading female role in the world premiere of ‘Konrad oder Das Kind aus der Konservenbüchse’ by Gisbert Näther.
This was followed by further important engagements as Ulrica (‘Un ballo in Maschera’), Amneris (Aida), Fricka (‘Walküre’ and ‘Rheingold’), Maddalena (‘Rigoletto’), 3rd Lady (Magic Flute).
From autumn 2022 to March 2023, she performed Mrs Peachum (‘Dreigroschenoper’), Old Lady and Paquette in ‘Candide’ by L. Bernstein, Erda, Fricka (‘Rheingold’) and Flosshilde in ‘Ring an einem Abend’ at the Megalomania Theatre in Frankfurt am Main.
She made guest appearances at the theatres in Pforzheim, Giessen, Heidelberg and Brandenburg, where she played the 1st Maid in the highly acclaimed production of ‘Elektra’ in 2024. She also sang this role in her first opera recording, a complete recording of ‘Elektra’, which was released by the classical label ‘Solo Musica’ in March 2025.
In addition to her work as an opera singer, she gives concerts at home and abroad.
Concert highlights were the ‘Elijah’ on the occasion of 125 years of Hymnus Chorknaben in the Liederhalle Stuttgart (2025), Beethoven’s 9th Symphony, on the occasion of the 50th anniversary of French-German friendship in the Cathédrale de Reims (France) and a concert tour with the West Saxon Symphony Orchestra through Quintana Roo, Mexico.